Searchable list of publications by female authors.
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Author(s) | Additional Authors | Publication Type | Publication Title | Publication Date | Keywords | Link to Resource | Reference/Citation | Additional Information | Author Place of Origin | Language of Resource | |
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Author(s) | Additional Authors | Publication Type | Publication Title | Publication Date | Keywords | Link to Resource | Reference/Citation | Additional Information | Author Place of Origin | Language of Resource | |
Ament,Vanessa Theme | Book | The Foley Grail: The Art of Performing Sound for Film Games and Animation | 2009 | Music Recording & Production,Sound Engineering,Foley,Performance,Film | Link to Resource | Ament, Vanessa Theme. The Foley grail: The art of performing sound for film, games, and animation. CRC Press, 2014. | Foley, Performing, Film, Games, Animation | United States | English | ||
Weiss,Elisabeth | Journal Article | "The Silent Scream: Alfred Hitchcock's Sound Track" | 1982 | Performing Arts Film | Weis, Elisabeth. The silent scream: Alfred Hitchcock's sound track. Fairleigh Dickinson University Press, 1982. | Performing Arts, Film | United States | English | |||
Kassabian,Anahid | Book | Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music | 2001 | Recorded Sound,Film | Link to Resource | Kassabian, Anahid. Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. Routledge, 2002. Print. | Film | United States | English | ||
Gorbman,Claudia | Book Chapter | "Music In the Piano" a chapter in Jane Campion's the Piano | 1999 | Recorded Sound,Film | Gorbman, C. (1999). Music in the Piano. In J. Champion and H. Margolis (Eds.) Jane Campion's the Piano. (pp. 42-58). Cambridge, Cambridge University Press. | Film | English | ||||
Web Page | Sound Channel. Org brought to you by Women's Audio Mission | Broadcast,Music Recording & Production,Music Audio Software,Recording Engineer,Sound Engineering | Link to Resource | Web Tutorials | United States | English | |||||
Westerkamp,Hildegard | Journal Article | "SOUNDWORK: The Natural Complexities of Environmental Listening: One Soundwalk - Multiple Resources." | 2017 | Acoustic Ecology,Education/Pedagogy,Sound Walk,Listening | Westerkamp, Hildegard. "SOUNDWORK: The Natural Complexities of Environmental Listening: One Soundwalk - Multiple Responses." BC Studies, no. 194, 2017, pp. 149. | Sound Walk, Listening | Germany | English | |||
McCartney,Andra | Journal Article | Hildegard Westerkamp's "Moments of Laughter": Recording Childhood, Performing Motherhood, Refusing to Shut Up, and Laughing | 2000 | Recorded Sound,Composition | Link to Resource | McCartney, A. (2000). Hildegard Westerkamp's Moments of Laughter: Recording Childhood, Performing Motherhood, Refusing to Shut Up, and Laughing. Perspectives of New Music, 38(1), p.101. | Composition | United States | |||
Lane,Cathy | Book | Playing with Words: The Spoken Word in Artistic Practice | 2008 | Spoken Word | Lane, Cathy. "Playing with words: the spoken word in artistic practice." (2008). | Spoken Word | United States | English | |||
Armstrong,R. | Redhead,Lauren | Journal Article | "(h) Weth: Voice - Breath - Body - form/s." | 2015 | New Sound,Voice,Breath,Body | Armstrong, R., and Lauren Redhead. "(h) Weth: Voice - Breath - Body - form/s." New Sound: International Journal of Music, vol. 46, no. 2, 2015, pp. 155. | New Sound, Voice, Breath, Body | United States | English | ||
Oliveros,Pauline | Book | Deep Listening: A Composer's Sound Practice | 2005 | Recorded Sound,Listening,Deep Listening | Link to Resource | Oliveros, Pauline. "Deep listening: A composer's sound practice. iUniverse." New York (2005). | Listening, Deep Listening | United States | English | ||
Rodgers,Tara | Book | Pink Noises: Women on Electronic Music and Sound | 2010 | Circuit Bending,Computer Music,Live Electronics,Noise Music,Sound Synthesis and Design | Link to Resource | Rodgers, Tara. Pink noises: Women on electronic music and sound. Duke University Press, 2010. | Electronic Music | United States | English | ||
Simones,Lillian | Rodger,Matthew | Franziska Schroeder | Journal Article | "Seeing How It Sounds: Observation Imitation and Improved Learning in Piano Playing." | 2017 | Piano Playing | Link to Resource | Simones, Lilian, Matthew Rodger, and Franziska Schroeder. "Seeing How It Sounds: Observation, Imitation, and Improved Learning in Piano Playing." Cognition and Instruction 35.2 (2017): 125-140. | Piano Playing | Germany | English |
Schroeder,Franziska | Journal Article | "Improvisation in Portugal : Researching the improvisation scene in Portugal" | 2016 | Improvisation | Link to Resource | Schroeder, Franziska (Author). 2016. Improvisation in Portugal : Researching the improvisation scene in Portugal. https://improvisationinportugal.wordpress.com/ | Germany | English | |||
Schroeder,Franziska | Journal Article | "Museum City - Improvisation and the narratives of space" | 2016 | Improvisation,Narrative of Space,Museum | Link to Resource | Schroeder, Franziska. "Museum City - Improvisation and the narratives of space," Organised Sound, Vol. 21, No. 3, 12. 2016, p. 249-259. | Improvisation, Narrative of space, museum | Germany | English | ||
Schroeder,Franziska | Rebelo,Pedro | Book Chapter | "Distributing Sounding Art: Practices in Distributing Sound" | 2016 | Distributing Sound | Link to Resource | Schroeder, Franziska and Pedro Rebelo. (2016) "Distributing Sounding Art: Practices in Distributing Sound," In M. Cobussedn, V. Meelberg, and B. Traux (Eds.) The Routledge Companion to Sounding Art. (pp. Routledge, 2016. | Distributing Sound | Germany | English | |
Schroeder,Franziska | Journal Article | "Bringing practice closer to research - seeking integrity sincerity and authenticity." | 2015 | Art Education | Link to Resource | Schroeder, Franziska. "Bringing practice closer to research seeking integrity, sincerity and authenticity." International Journal of Education Through Art11.3 (2015): 343-354. | Art Education | Germany | English | ||
Simones,Lillian Lima | Rodger,Matthew | Franziska Schroeder | Journal Article | "Communicating musical knowledge through gesture: Piano teachers gestural behaviours across different levels of student proficiency." | 2015 | Education | Simones, Lilian Lima, Matthew Rodger, and Franziska Schroeder. "Communicating musical knowledge through gesture: Piano teachers gestural behaviours across different levels of student proficiency." Psychology of Music 43.5 (2015): 723-735. | United Kingdom | English | ||
Born,Georgina | Book | Music sound and space: transformations of public and private experience. | 2013 | Music,Sound,Space,Public,Private | Link to Resource | Born, Georgina, ed. Music, sound and space: transformations of public and private experience. Cambridge University Press, 2013. | Music, Sound, Space, Public, Private | United Kingdom | English | ||
Barry,Andrew | Born,Georgina | Book | Interdisciplinarity: reconfigurations of the social and natural sciences | 2013 | Interdisciplinarity | Link to Resource | Barry, Andrew, and Georgina Born, eds. Interdisciplinarity: reconfigurations of the social and natural sciences. Routledge, 2013. | United Kingdom | English | ||
Born,Georgina | Journal Article | "Making time: Temporality history and the cultural object." | 2015 | Temporality | Link to Resource | Born, Georgina. "Making time: Temporality, history, and the cultural object." New Literary History, special issue: ˜Beyond Bourdieu, 46/3 (2015): 361-386. | Temporality | United Kingdom | English | ||
Born,Georgina | Devine,Kyle | Journal Article | "Music technology gender and class: Digitization educational and social change in Britain." | 2015 | Music Technology,Gender,Class,Digitziation,Education | Link to Resource | Born, Georgina, and Kyle Devine. "Music technology, gender, and class: Digitization, educational and social change in Britain." Twentieth-Century Music 12.2 (2015): 135-172. | Gender, Class, Digitziation, Education, Social Change | United Kingdom | English | |
Born,Georgina | Journal Article | "Music and the materialization of identities." | 2011 | Sound and Identity | Link to Resource | Born, Georgina. "Music and the materialization of identities." Journal of Material Culture 16.4 (2011): 376-388. | English | ||||
Born,Georgina | Journal Article | "For a relational musicology: music and interdisciplinarity beyond the practice turn: the 2007 Dent Medal Address." | 2010 | Musicology,Interdisciplinarity | Link to Resource | Born, Georgina. "For a relational musicology: music and interdisciplinarity, beyond the practice turn: the 2007 Dent Medal Address." Journal of the Royal Musical Association 135.2 (2010): 205-243. | Interdisciplinarity | United Kingdom | English | ||
Born,Georgina | Journal Article | "The social and the aesthetic: For a post-Bourdieuian theory of cultural production." | 2010 | Cultural Production | Link to Resource | Born, Georgina. "The social and the aesthetic: For a post-Bourdieuian theory of cultural production." Cultural Sociology 4.2 (2010): 171-208. | Cultural Production | United Kingdom | English | ||
Armstrong,Victoria | Book | Technology and the gendering of music education. | 2013 | Technology,Gender,Music,Education | Link to Resource | Armstrong, Victoria. Technology and the gendering of music education. Ashgate Publishing, Ltd., 2013. | Gender, Music, Education | English | |||
Armstrong,Victoria | Book Chapter | Gendered Perspectives | 2017 | Technology,Gender,Music,Education | Link to Resource | Armstrong, V. (2017). Gendered Perspectives. In A. King, and E. Himonides, and A.Ruthmann (Eds.) The Routledge Companion to Music, Technology, and Education. (pp 69-78). Taylor & Francis. | Gender, Music, Education | English | |||
Gottschalk,Jennie | Book | Experimental Music Since 1970 | 2017 | Digital Audio & DSP,Sound Art,Perception,Experimental Music,Time | Link to Resource | Gottschalk, Jennie. Experimental Music Since 1970. Bloomsbury Publishing USA, 2016. | Perception, Experimental Music, Time | English | |||
Demers,Joanna | Book | Listening Through Noise | 2010 | Electroacoustic,Digital Audio & DSP,Drone Music,Dub Techno Noise,Noise Music | Link to Resource | Demers, Joanna. Listening through the noise: the aesthetics of experimental electronic music. Oxford University Press, 2010. | Drone Music, Dub Techno, Noise | United States | English | ||
Norman,Katharine | Journal Article | "Real-world music as composed listening." | 1996 | Composed Listening | Norman, Katharine. "Real-world music as composed listening." Contemporary Music Review 15.1-2 (1996): 1-27. | Composed Listening | United States | English | |||
Norman,Katharine | Book | Sounding art: eight literary excursions through electronic music. | 2004 | Electroacoustic,Electronic Music | Norman, Katharine. Sounding art: eight literary excursions through electronic music. Ashgate Publishing Company, 2004. | Electronic Music | United States | English | |||
Norman,Katharine | Journal Article | "Telling tales." | 1994 | Story Telling,Oral History | Norman, Katharine. "Telling tales." Contemporary Music Review 10.2 (1994): 103-109. | Story Telling, Oral History | United States | English | |||
Gardener,Thomas | Voeglin,Salomé | Book | Colloquium: Sound Art and Music | 2016 | Sound Art,Soundscape,Music | Link to Resource | Gardner, Thomas, and Salomé Voegelin, eds. Colloquium: Sound Art and Music. John Hunt Publishing, 2016. | Music | United Kingdom | English | |
Voeglin,Salomé | Book | Listening to Noise and Silence: Towards a Philosophy of Sound Art and Sonic Possible Worlds: Hearing the Continuum of Sound. | 2010 | Sound Art,Listening,Noise,Sonic Worlds | Link to Resource | Voegelin, Salomé. Listening to noise and silence: Towards a philosophy of sound art. Bloomsbury Publishing USA, 2010. | Listening, Noise, Sonic Worlds | United Kingdom | English | ||
Van Eck,Cathy | Book | Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments | 2017 | Sound Art,Music,Microphones,Musical Instruments,Air | Link to Resource | Van Eck, Cathy. Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments. Bloomsbury Publishing USA, 2017. | Electricity | Netherlands | English | ||
Oram,Daphne | Book | An individual note: of music sound and electronics. | 1972 | Music,Sound,Electronics | Oram, Daphne. An individual note: of music, sound and electronics. Galliard Ltd, 1972. | United Kingdom | English | ||||
Thompson,Marie | Biddle,Ian | Book | Sound music affect: Theorizing sonic experience. | 2013 | Sound,Music,Sonic Experience | Link to Resource | Thompson, Marie, and Ian Biddle, eds. Sound, music, affect: Theorizing sonic experience. Bloomsbury Publishing USA, 2013. | United Kingdom | English | ||
Thompson,Marie | Book | Beyond unwanted sound: noise affect and aesthetic moralism | 2017 | Noise,Sound,Aesthetics | Link to Resource | Thompson, Marie. Beyond unwanted sound: noise, affect and aesthetic moralism. Bloomsbury Publishing USA, 2017. | United Kingdom | English | |||
Collins,Karen | Book | Game sound: an introduction to the history theory and practice of video game music and sound design. | 2008 | Sound,Game Sound,Video Games,Sound Design | Link to Resource | Collins, Karen. Game sound: an introduction to the history, theory, and practice of video game music and sound design. Mit Press, 2008. | Canada | English | |||
Eckhardt,Julia | De Graeve,Leen | Book | The Second Sound: Conversations on Gender and Music | 2017 | Gender Studies | Eckhardt, Julia, and Leen De Graeve. The Second Sound: Conversations on Gender and Music. Brussels: Umland Editions, 2017. | Gender Studies | Germany | English | ||
Scarfe,Dawn | Book Chapter | Bivvy Broadcasts | 2016 | Sound Art,Performance | Scarfe, Dawn. "Bivvy Broadcasts." In Environmental Sound Artists in Their Own Words, edited by Frederick Bianchi and V. J. Manzo, 153-58. Oxford and New York: Oxford University Press, 2016. | Performance | United Kingdom | English | |||
Papadomanolaki,Maria | Scarfe,Dawn | Grant Smith | Journal Article | Sounds Nothing Like the Sea | 2016 | Sound Art | Link to Resource | Papadomanolaki, Maria, Dawn Scarfe, and Grant Smith. "Sounds Nothing Like the Sea." Performance Research 20, no. 2 (2016). | Greece | English | |
Brøvig-Hanssen,Ragnhild | Danielsen,Anne | Book | Digital Signatures: The Impact of Digitization on Popular Music Sound | 2016 | Musicology,Popular Music Studies | Brøvig-Hanssen, Ragnhild, and Anne Danielsen. Digital Signatures: The Impact of Digitization on Popular Music Sound. Cambridge, MA: MIT Press, 2016. | Popular Music Studies | Norway | English | ||
Danielsen,Anne | Book | Presence and Pleasure: The Funk Grooves of James Brown and Parliament | 2006 | Musicology,Music Perception,Popular Music Studies | Danielsen, Anne. Presence and Pleasure: The Funk Grooves of James Brown and Parliament. Middletown, CT: Wesleyan University Press, 2006. | Popular Music Studies | Norway | English | |||
Horning,Susan Schmidt | Book | Chasing Sound: Technology Culture and the Art of Studio Recording from Edison to the LP | 2013 | Recording Engineer,Music Recording & Production | Horning, Susan Schmidt. Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP. Baltimore: John Hopkins University Press, 2013. | United States | English | ||||
Massy,Sylvia | Johnson,Chris | Book | Recording Unhinged: Creative and Unconventional Music Recording Techniques | 2016 | Recording Engineer,Music Recording & Production | Massy, Sylvia, and Chris Johnson. Recording Unhinged: Creative and Unconventional Music Recording Techniques. Milwaukee: Hal Leonard, 2016. | United States | English | |||
Rietveld,Hillegonda C. | Book | This is Our House: House Music Cultural Spaces and Technologies | 1998 | Musicology,DJ Practice | Rietveld, Hillegonda C. This is Our House: House Music, Cultural Spaces, and Technologies. Aldershot: Ashgate, 1998. | Popular Music Studies | Netherlands | English | |||
Whiteley,Sheila | Book | The Space Between the Notes: Rock and the Counter-Culture | 1992 | Musicology,Popular Music Studies,Gender Studies | Whiteley, Sheila. The Space Between the Notes: Rock and the Counter-Culture. London: Routledge, 1992. | Popular Music Studies, Gender Studies | United Kingdom | English | |||
Whiteley,Sheila | Book | Too Much Too Young: Popular Music Age and Gender | 2005 | Musicology,Popular Music Studies,Gender Studies | Whiteley, Sheila. Too Much Too Young: Popular Music, Age and Gender. London: Routledge, 2000. | Popular Music Studies, Gender Studies | United Kingdom | English | |||
Whiteley,Sheila | Book | Women and Popular Music: Sexuality Identity and Subjectivity | 2000 | Musicology,Popular Music Studies,Gender Studies | Whiteley, Sheila. Women and Popular Music: Sexuality, Identity and Subjectivity. London: Routledge, 2000. | Popular Music Studies, Gender Studies | United Kingdom | English | |||
Adams,Mags | Journal Article | Hearing the City: Reflections on Soundwalking | 2009 | Soundscape,Acoustic Ecology,Urban Studies,Sound Walk | Link to Resource | Adams, Mags. "Hearing the City: Reflections on Soundwalking." Qualitative Researcher, no. 10 (2009): 6-9. | Urban Studies, Soundwalk | United Kingdom | English | ||
Adams,Mags | Cox,Trevor | et al. | Journal Article | Sustainable Soundscapes: Noise Policy and the Urban Experience | 2006 | Soundscape,Acoustic Ecology,Urban Studies | Adams, Mags, et al. "Sustainable Soundscapes: Noise Policy and the Urban Experience." Urban Studies 43, no. 13: 2385-98. | Urban Studies | United Kingdom | English | |
Adams,Mags | Bruce,Neil | et al. | Journal Article | Soundwalking as a Methodology for Understanding Soundscapes | 2008 | Soundscape,Acoustic Ecology,Urban Studies,Sound Walk | Link to Resource | Adams, Mags, et al. "Soundwalking as a Methdology for Understanding Soundscapes." Proceedings of the Institute of Acoustics 30 (2008): 2-30. | Urban Studies, Soundwalk | United Kingdom | English |
Bijsterveld,Karin | Journal Article | "The City of Din": Decibels Noise and Neighbors in the Netherlands 1910-1980 | 2003 | Soundscape,Acoustic Ecology | Bijsterveld, Karin. "'The City of Din': Decibels, Noise, and Neighbors in the Netherlands, 1910-1980. Osiris 18:173-93. | Urban Studies, Silence | Netherlands | English | |||
Bijsterveld,Karin | Journal Article | The Diabolical Symphony of the Mechanical Age: Technology and Symbolism of Sound in European and North American Noise Abatement Campaigns 1900-40 | 2001 | Soundscape,Acoustic Ecology | Bijsterveld, Karin. "The Diabolical Symphony of the Mechanical Age: Technology and Symbolism of Sound in European and North American Noise Abatement Campaigns, 1900-40." Social Studies of Science 31, no. 1 (2001): 37-70. | Urban Studies, Silence. Also published in The Auditory Culture Reader, ed. Michael Bull and Les Back. | Netherlands | English | |||
Bijsterveld,Karin | Book | Mechanical Sound: Technology Culture and Public Problems of Noise in the Twentieth Century | 2008 | Soundscape,Acoustic Ecology,Urban Studies,Silence | Link to Resource | Bijsterveld, Karin. Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. Cambridge, MA: MIT Press, 2008. | Urban Studies, Silence | Netherlands | English | ||
Dyson,Frances | Book | Sounding New Media: Immersion and Embodiment in the Arts and Culture | 2009 | Sound Art,Performance | Link to Resource | Dyson, Frances. Sounding New Media: Immersion and Embodiment in the Arts and Culture. Berkeley: University of California Press, 2009. | Performance | English | |||
Irvine,Katherine N. | Devine-Wright,Patrick | Sarah R. Payne, Richard A. Fuller, Birgit Painter, Kevin J. Gaston | Journal Article | Green Spaces Soundscape and Urban Sustainability: An Interdisciplinary Empirical Study | 2009 | Acoustic Ecology,Urban Studies,Architecture | Irvine, Katherine N., et al. "Green space, soundscape and urban sustainability: an interdisciplinary, empirical study." Local Environment 14, no. 2 (February 2009): 155-72. | Urban Studies, Architecture | United Kingdom | English | |
Thompson,Emily Ann | Book | The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America 1900-1933 | 2002 | Acoustic Ecology,Urban Studies,Architecture | Thompson, Emily Ann. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933. Cambridge, MA: MIT Press, 2002. | Urban Studies, Architecture | United States | English | |||
Tonkiss,Fran | Journal Article | Aural Postcards: Sound Memory and the City | 2003 | Soundscape,Acoustic Ecology | Tonkiss, Fran. "Aural Postcards: Sound, Memory and the City." In The Auditory Culture Reader, edited by Michael Bull and Les Back, 303-310. Oxford and New York: Oxford University Press, 2003. | Urban Studies, Architecture | United Kingdom | English | |||
Venot,Flora | Sémidor,Catherine | Conference Proceedings | The "Soundwalk" as an Operational Component for Urban Design | 2006 | Soundscape,Acoustic Ecology | Venot, Flora, and Catherine Sémidor. "The 'Soundwalk' as an Operational Component for Urban Design." In Clever Design, Affordable Comfort: A Challenge for Low Energy Architecture and Urban Planning, edited by Raphaël Compagnon et al., 6-8. Geneva: Haute Ecole SpeÌcialiseÌe de Suisse occidentale and University of Geneva, 2006. | Soundwalk. This paper is published in the conference proceedings of the 23rd Conference on Passive and Low Energy Architecture, Geneva, Switzerland, September 6-8, 2006 | France | English | ||
Westerkamp,Hildegard | Journal Article | The Local and Global "Language" of Environmental Sound | 2000 | Soundscape,Acoustic Ecology | Link to Resource | Westerkamp, Hildegard. "The Local and Global 'Language' of Environmental Sound." In Environmental and Site-Specific Theatre, edited by Andrew Houston, vol. 8 of Canadian Perspectives on Canadian Theatre in English, 110. Toronto: Playwrights Canada Press, 2007. | Soundwalk. This paper was originally presented at "Sound Escape: An International Conference on Acoustic Ecology," Peterborough, Ontario, Canada, June 28-July 2, 2000. | Canada | English | ||
Westerkamp,Hildegard | Journal Article | Soundwalking as Ecological Practice | 2006 | Soundscape,Acoustic Ecology | Westerkamp, Hildegard. "Soundwalking as Ecological Practice." In The West Meets the East in Acoustic Ecology. Hirosaki: Japanese Association for Sound Ecology and Hirosaki University International Music Centre, 2006. | Soundwalk. This paper is published in the conference proceedings of the "International Conference on Acoustic Ecology: WFAE" held in Hirosaki, Japan, November 2-4, 2006. | Canada | English | |||
Westerkamp,Hildegard | Journal Article | Soundwalking | 2007 | Soundscape,Acoustic Ecology | Westerkamp, Hildegard. "Soundwalking." In Autumn Leaves: Sound and the Environment in Artistic Practice, edited by Angus Carlyle, 49. Paris: Double Entendre, 2007. | Soundwalk | Canada | English | |||
Westerkamp,Hildegard | Journal Article | Soundwalk Practice: An Agent for Change? | 2012 | Soundscape,Acoustic Ecology | Westerkamp, Hildegard. "Soundwalk Practice: An Agent for Change?" In The Global Composition: Conference on Sound, Media and the Environment, edited by Sabine Breitsameter and Claudia Soller-Eckert, 55-70. Darmstadt: Hochschule Darmstadt, Fachbereich Media, 2012. | Soundwalk. This paper is published in the conference proceedings of the "Conference on Sound, Media and the Environment" held July 25-28, 2012, Media Campus Dieburg, Germany. | Canada | English | |||
Smith,Sophy | Book | Hip-Hop Turntablism Creativity and Collaboration | 2013 | Sound Engineering,Turntablism,Performance | Smith, Sophy. Hip-Hop Turntablism, Creativity and Collaboration. Farnham, Surrey ; Burlington, VT: Ashgate, 2013. | Turntablism, Performance | United Kingdom | English | |||
Bronfman,Alejandra | Book | Isles of Noise: Sonic Media in the Caribbean | 2016 | Broadcast,Sound Engineering,Sound and Identity,Listening | Link to Resource | Bronfman, Alejandra. Isles of Noise: Sonic Media in the Caribbean. Chapel Hill: The University of North Carolina Press, 2016. | Sound and Identity, Listening | English | |||
Kheshti,Roshanak | Book | Modernity's Ear: Listening to Race and Gender in World Music | 2015 | Music Recording & Production,Listening,Ethnomusicology,Sound and Identity,Gender Studies | Link to Resource | Kheshti, Roshanak. Modernity's Ear: Listening to Race and Gender in World Music. New York: New York University Press, 2015. | Listening, Ethnomusicology, Sound and Identity, Gender Studies | Iran | English | ||
Brooks,Daphne A. | Journal Article | Sister Can You Line it Out?: Zora Neale Hurston and the Sound of Angular Black Womanhood | 2010 | Theater,African-American Studies | Brooks, Daphne A. "'Sister, Can You Line it Out?': Zora Neale Hurston and the Sound of Angular Black Womanhood." Amerikastudien/American Studies 55, no. 4 (2010): 617-627. | Theater, African-American Studies | United States | English | |||
Aparicio,Frances R. | Book | Listening to Salsa: Gender Latin Popular Music and Puerto Rican Cultures | 1998 | Musicology,Latinx Studies,Popular Music,Listening,Sound and Identity | Aparicio, Frances R. Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures. Hanover, NH: University Press of New England, 1998. | Latinx Studies, Popular Music, Listening, Sound and Identity | Puerto Rico | English | |||
Casillas,Dolores Inés | Book | Sounds of Belonging: U.S. Spanish-language Radio and Public Advocacy | 2014 | Broadcast,Latinx Studies,Chicanx Studies,Sound and Identity | Link to Resource | Casillas, Dolores Ines. Sounds of Belonging: U.S. Spanish-Language Radio and Public Advocacy. New York: New York University Press, 2014. | Latinx Studies, Chicanx Studies, Sound and Identity | English | |||
Bradley,Regina N. | Journal Article | Contextualizing Hip Hop Sonic Cool Pose in Late Twentieth- and Twenty-First-Century Rap Music | 2012 | Musicology,Recording Engineer,African-American Studies,Gender Studies,Sampling | Bradley, Regina N. "Contextualizing Hip Hop Sonic Cool Pose in Late Twentieth- and Twenty-First-Century Rap Music." Current Musicology (2012): 57-72. | African-American Studies, Gender Studies, Sampling | English | ||||
Redmond,Shana L. | Book | Anthem: Social Movements and the Sound of Solidarity in the African Diaspora | 2014 | Musicology,African-American Studies,African Diaspora,Music and Protest | Link to Resource | Redmond, Shana L. Anthem: Social Movements and the Sound of Solidarity in the African Diaspora. New York: New York University Press, 2014. | African-American Studies, African Diaspora, Music and Protest | United States | English | ||
Silva-Ford,Liana M. | Blog Post | Or Does it Explode?: Sounding Out the U.S. Metropolis in Hansberry's A Raisin in the Sun | 2014 | Soundscape,Sound Art,African-American Studies,Theater | Link to Resource | Silva-Ford, Liana M. "Or Does it Explode?: Sounding Out the U.S. Metropolis in Hansberry's A Raisin in the Sun." Sounding Out!, February 3, 2014. https://soundstudiesblog.com/2014/02/03/or-does-it-explode-sounding-out-the-u-s-metropolis-in-hansberrys-a-raisin-in-the-sun/. | African-American Studies, Theater | United States | English | ||
Prado,Reina Alejandra | Blog Post | Sonic Brownface: Representations of Mexicanness in an Era of Discontent | 2013 | Sound and Identity,Sound and Representation,Chicanx Studies,Latinx Studies,Film | Link to Resource | prado saldivar, reina alejandra. "Sonic Brownface: Representations of Mexicanness in an Era of Discontent." Sounding Out!, June 10, 2013. https://soundstudiesblog.com/2013/06/10/sonic-brownface-representations-of-mexicanness-in-an-era-of-discontent/. | Sound and Identity, Sound and Representation, Chicanx Studies, Latinx Studies, Film | English | |||
Adeyemi,Kemi | Blog Post | Straight Leanin': Sounding Black Life at the Intersection of Hip-hop and Big Pharma | 2015 | Musicology,African-American Studies,Sound and Medicine,Sound and Affect | Link to Resource | Adeyemi, Kemi. "Straight Leanin': Sounding Black Life at the Intersection of Hip-hop and Big Pharma." Sounding Out!, September 21, 2015. https://soundstudiesblog.com/2015/09/21/hip-hop-and-big-pharma/. | African-American Studies, Sound and Medicine, Sound and Affect | United States | English | ||
Chaves Daza,Maria P. | Blog Post | Enacting Queer Listening or When Anzaldúa Laughs | 2015 | Listening,Sound and Identity,Sound and Affect,Sound and Politics,Queer Studies | Link to Resource | Chaves Daza, Maria P. "Enacting Queer Listening, or When Anzaldúa Laughs." Sounding Out!, September 28, 2015. https://soundstudiesblog.com/2015/09/28/15957/. | Listening, Sound and Identity, Sound and Affect, Sound and Politics, Queer Studies, Chican@ Studies. The author uses "they/them/theirs" pronouns. | United States | English | ||
Lumumba-Kasongo,Enongo | Blog Post | Making Music at Studio X: The Identity Politics of Community Studios | 2014 | Recording Engineer,Sound Engineering,Music Recording & Production,Sound and Identity | Link to Resource | Lumumba-Kasongo, Enongo. "Making Music at Studio X: The Identity Politics of Community Studios." Sounding Out!, January 20, 2014. https://soundstudiesblog.com/2014/01/20/making-music-at-studio-x-the-identity-politics-of-community-studios/. | Sound and Identity | United States | English | ||
Stoever,Jennifer Lynn | Book | The Sonic Color Line: Race and the Cultural Politics of Listening | 2016 | Musicology,Perception | Link to Resource | Stoever, Jennifer Lynn. The Sonic Color Line: Race and the Cultural Politics of Listening. New York: New York University Press, 2016. | Listening, Sound and Identity, Performance, African-American Studies | United States | English | ||
Collins,Karen | Book | Playing with sound: a theory of interacting with sound and music in video games | 2013 | Video Games,Sound,Interaction,Theory of Interacting | Collins, Karen. Playing with sound: a theory of interacting with sound and music in video games. Mit Press, 2013. | Canada | English | ||||
O Keeffe,Linda | Book Chapter | "Sound is not a simulation: Methodologies for examining the experience of soundscapes." | 2010 | Soundscape,Sound,Games,Methodology,Game Sound | Link to Resource | O'Keeffe, L. (2010). Sound is Not a Simulation: Methodologies for Examining the Experience of Soundscapes. In M. Grimshaw (Ed.) Game Sound Technology and Player Interaction: Concepts and Developments: Concepts and Developments. (pp. 44-58) New York, IGI Global. | Ireland | English | |||
Larson,Kay | Book | Where the heart beats: John Cage Zen Buddhism and the inner life of artists | 2012 | Sound,Beats,John Cage,Heart | Link to Resource | Larson, Kay. Where the heart beats: John Cage, Zen Buddhism, and the inner life of artists. Penguin, 2012. | United States | English | |||
Pendle,Karin | Boyd,Melinda | Book | Women in music: a research and information guide. | 2005 | Music,Women | Link to Resource | Pendle, Karin, and Melinda Boyd. Women in music: a research and information guide. Routledge, 2005. | United States | English | ||
Jowitt,Deborah | Book | Meredith Monk | 1997 | Music,Experimental,Vocal Extension | Link to Resource | Jowitt, Deborah, ed. Meredith Monk. Vol. 1. JHU Press, 1997. | United States | English | |||
Kytö,Meri | Book | The multidisciplinary collective Escoitar; The Isle of San Simón Foundation | 2012 | Sound Studies,Soundscape,Ethnomusicology,Ethnography | Kytö, Meri, et al. European acoustic heritage. Diss. Tampere University of Applied Sciences; Phonogrammarchiv, the Austrian Academy of Sciences; The multidisciplinary collective Escoitar; The Isle of San Simón Foundation; CRESSON, 2012. | Finland | Finnish/English | ||||
Von Glahn,Denise | Book | Music and the Skillful Listener: American Women Compose the Natural World | 2013 | Music,Sound,American Women,Composers | Link to Resource | Von Glahn, Denise. Music and the Skillful Listener: American Women Compose the Natural World. Indiana University Press, 2013. | United States | English | |||
Bassabian,Anahid | Book | Ubiquitous listening: affect attention and distributed subjectivity | 2013 | Listening,Sound | Link to Resource | Kassabian, Anahid. Ubiquitous listening: affect, attention, and distributed subjectivity. Univ of California Press, 2013. | United States | English | |||
Waldock,Jacqueline | Journal Article | SOUNDMAPPING: Critiques and reflections on this new publicly engaging medium | 2011 | Listening,Sound,Sound Mapping | Waldock, Jacqueline. "SOUNDMAPPING: Critiques and reflections on this new publicly engaging medium." Journal of Sonic Studies 1.1 (2011). | English | |||||
Krogh Groth,Sanne | Book | Politics and Aesthetics in Electronic Music: A Study of EMS-Elektronmusikstudion Stockholm | 2014 | Electronic Music,Music,Sweden | Groth, Sanne Krogh. Politics and Aesthetics in Electronic Music: A Study of EMS-Elektronmusikstudion Stockholm, 1964-79. Kehrer Verlag, 2014. | Sweden | English/Swedish | ||||
Vandsø,Anette | Journal Article | Four Key Concepts for Studying Context-Based Compositions | 2017 | Composition | Vandsø¸, Anette. "Four Key Concepts for Studying Context-Based Compositions." Organised Sound 23.1 (2017). | Denmark | English | ||||
Vandsø,Annette | Journal Article | Technology sound and subject:: A cross-disciplinary investigation. | 2016 | Technology,Sound,Danish Music | Vandsø¸, Anette. "Technology, sound and subject:: A cross-disciplinary investigation." Danish Musicology Online 2016 (2016): 38-50. | Denmark | English/Danish | ||||
Densmore,Frances | Book | American Indians and their music | 2003 | Music,American Indians | Densmore, Frances. American Indians and their music. Kessinger Publishing, 2003. | United States | English | ||||
Ingleton,Holly | Book | Making Spaces: Feminist Contexts in Sonic Arts | 2005 | Sonic Arts,Feminist Spaces | Link to Resource | Ingleton, Holly. "Making Spaces: Feminist Contexts in Sonic Arts." MA Theses, City (2005). | United Kingdom | English | |||
Seddon,Laura | Book | British women composers and instrumental chamber music in the early twentieth century. | 2016 | Chamber Music,Instrumental Music,British Women | Link to Resource | Seddon, Laura. British women composers and instrumental chamber music in the early twentieth century. Routledge, 2016. | United Kingdom | English | |||
Goh,Annie | Journal Article | GenDyTrouble: Cyber* Feminist Computer Music. | 2016 | Computer Music,Feminism | Link to Resource | Annie, Goh. (2016) "GenDyTrouble: Cyber*Feminist Computer Music" In C. Lane, A. Carlyle, and H. Ingleton (Eds.) "Sound:: Gender:: Feminism:: Activism (SGFA)." (pp. 13-14) UK | United Kingdom | English | |||
Power,Nina | Journal Article | Women Machines: The Future of Female Noise | 2009 | Noise,Women,Female Noise | Power, N. (2009). Woman Machines:: the Future of Female Noise. In M. Iles, & A. Iles (Eds.), Noise & Capitalism (pp. 97-103). Arteleku Audiolab | United Kingdom | English | ||||
Born,Georgina | Book | Rationalizing Culture IRCAM Boulez and the Institutionalization of the Musical Avant-Garde | 1995 | Musical Avant-Garde,Anthropology,Ethnography | United Kingdom | English | |||||
Soria Luz,Rosalía | Journal Article | State-Space Models: Virtual World for Composition | 2015 | Sound Synthesis and Design,Sonification,Modelling,Multi-Channel,Music Software | Link to Resource | International Computer Music Association, vol 15, 2015. | Mexico | ||||
Hayes,Lauren | Journal Article | From Site-Specific to Site-Responsive: Sound Art Performances as Participatory Milieux | 2017 | Sound Art,Site-Specific,Site-Responsive,Participation,Social | Link to Resource | Hayes, L. 2017. From Site-Specific to Site-Responsive: Sound Art Performances as Participatory Milieux. Organised Sound, 22(1). 82-92. Cambridge University Press. | United States | ||||
Hayes,Lauren | Journal Article | Haptic Augmentation of the Hybrid Piano | 2013 | Interfaces for Music/Sound,Music Perception,Perception,Haptics,Performance | Link to Resource | Hayes, L. 2013. Haptic Augmentation of the Hybrid Piano. Contemporary Music Review, 32(5). 499-509. London: Taylor & Francis. | United States | English | |||
Ehrick,Christine | Beck,Sam | Book | Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay 1930-1950 | 2015 | Voice | Link to Resource | Ehrick. (2015). Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay, 1930-1950. Cambridge University Press. | United States | English | ||
McCartney,Andra | Conference Proceedings | Ethical questions about working with soundscapes | 2010 | Soundscape | Link to Resource | McCartney, A. (2010). Ethical questions about working with soundscapes. Presented at the World Forum for Acoustic Ecology: Ideologies and Ethics in theUses and Abuses of Sound, Koli, Finland. | Canada | English | |||
McCartney,Andra | Journal Article | Gender Genre and Electroacoustic Soundmaking Practices | 2010 | Electroacoustic | McCartney, A. (2006). Gender, Genre and Electroacoustic Soundmaking Practices. Intersections: Canadian Journal of Music, 26(2), 20-48 | Canada | English | ||||
McCartney,Andra | Book Chapter | Soundwalking: Creating Moving Environmental Sound Narratives | 2014 | Sound Walk | McCartney, A. (2014). Soundwalking: Creating Moving Environmental Sound Narratives. In S. Gopinath & J. Stanyek (Eds.), The Oxford Handbook of Mobile Music Studies, Volume 2 (Vol. 2, pp. 212-237). Oxford: Oxford University Press. | Canada | English | ||||
McCartney,Andra | Journal Article | Soundscape Composition and the Subversion of Electroacoustic Norms | 2017 | Electroacoustic | Link to Resource | CEC | Canadian Electroacoustic Community. (2017). CEC — eContact! 3.4 — Soundscape Composition and the Subversion of Electroacoustic Norms by Andra McCartney. | Canada | English | |||
James,Robin | Book | Resilience & Melancholy: Pop Music Feminism Neoliberalism | 2015 | Popular Music Studies | Link to Resource | James, Robin. Resilience & melancholy: Pop music, feminism, Neoliberalism. John Hunt Publishing, 2015. | Robin James is Associate Professor of Philosophy at UNC Charlotte, a contributor to Cyborgology and The New Inquiry, and a sound artist. Her writing has appeared in scholarly journals such as The Journal of Popular Music Studies and Hypatia, and her scholarly monograph The Conjectural Body: Gender, Race, and the Philosophy of Music was published by Lexington Books. She maintains a blog at its-her-factory.com | United States | English | ||
Lanzilotti,Anne | Journal Article | Cut to a Different World: Andrew Norman | 2017 | Music | Link to Resource | Lanzilotti, A. (2017). Cut to a Different World: Andrew Norman. [online] Music & Literature. Available at: http://www.musicandliterature.org/features/2016/10/25/cut-to-a-different-world-andrew-norman. | An in-depth listening guide to Andrew Norman's "Play," including an exploration of the idea of the physicality of music as related to extended techniques for strings. | United States | English | ||
Lanzilotti,Anne | Journal Article | Anna Thorvaldsdottir: A Part of Nature | 2017 | Music | Link to Resource | Lanzilotti, A. (2017). Anna Thorvaldsdottir: A Part of Nature. [online] Music & Literature. Available at: http://www.musicandliterature.org/features/2017/5/18/anna-thorvaldsdottir-a-part-of-nature. | An in-depth listening guide to Thorvaldsdottir's "Aeriality." | United States | English | ||
Stewart,Sharon | Journal Article | LISTENING TO DEEP LISTENING: Reflection on the 1988 Recording and the Lifework of Pauline Oliveros | 2012 | Deep Listening | Link to Resource | Stewart, S. (2012). LISTENING TO DEEP LISTENING: Reflection on the 1988 Recording and the Lifework of Pauline Oliveros. [online] Journal of Sonic Studies. Available at: http://journal.sonicstudies.org/vol02/nr01/a12 [Accessed 11 Sep. 2017]. | At some point this article might be placed on the Research Catalogue, but I will inform you if this happens. | Netherlands | English | ||
Joseph-Hunter,Galen | Papadomanolaki,Maria | Penny Duff | Book | Transmission Arts: Artists & Airwaves | 2011 | Broadcast,Transmission Arts,Radio Art | Link to Resource | Joseph-Hunter, G., Duff, P. and Papadomanolaki, M. (2011). Transmission arts : artists and airwaves. New York, N.Y: P.A.J. Publications. | tags: Transmission Arts, Radio Art Author 3: Penny Duff | United States | English |
McDonnell,Evelyn | Ann Powers | Book | Rock She Wrote: Women Write About Rock Pop and Rap | 1995 | Music | Link to Resource | McDonnell, E. and Powers, A. (1999). Rock she wrote. New York: Cooper Square Press. | United States | English | ||
Bandt,Ros | Duffy,Michelle | Dolly MacKinnon | Book | Hearing Places: Sound Place Time and Culture | 2009 | Sound Design | Link to Resource | Bandt, R., Duffy, M. and MacKinnon, D. (2009). Hearing places. Newcastle: Cambridge Scholars. | Australia | English | |
Noy,Irene | Book | Emergency Noises: Sound Art and Gender | 2017 | Sound Art | Link to Resource | Noy, I. (2017). Emergency Noises. Oxford: Peter Lang | Germany | English | |||
O Keeffe,Linda | Blog Post | Workshopping the Derry Soundscape: Mobile technologies as Creative Tools for Third Age Adults. | 2015 | Mobile Sound | Link to Resource | O Keeffe (2015) Workshopping the Derry Soundscape: Mobile technologies as Creative Tools for Third Age Adults, Sounding Out!, 20 April. Available at: https://soundstudiesblog.com/2015/04/20/mobile_technologies_for_third_age_adults/ (Accessed: 26 September 2017). | United Kingdom | English | |||
O Keeffe,Linda | Book Chapter | Sonifying Memory: Creative Approaches to Representing Socially Constructed Soundscapes | 2017 | Sensory Studies | Link to Resource | O Keeffe, In Sensory Arts and Design, ed. Ian Heywood, pub. Bloomsbury, 2017 | United Kingdom | English | |||
O Keeffe,Linda | Kerr,Aphra | Journal Article | Reclaiming Public Space: Sound and Mobile Media Use by Teenagers | 2015 | Mobile Sound | Link to Resource | O Keeffe, L. and Kerr, A. (2015) Reclaiming Public Space: Sound and Mobile Media Use by Teenagers, International Journal of Communication, 9(0), p. 21. Available at: http://ijoc.org/index.php/ijoc/article/view/3674 (Accessed: 21 November 2015). | Ireland | English | ||
Ferrett,D | Journal Article | Improvising Themes of Abjection with Maggie Nicols | 2014 | Improvisation | Link to Resource | Ferrett, D. (2014). Improvising Themes of Abjection with Maggie Nicols. Performance Research, 19(1), pp.81-90. | United Kingdom | English | |||
Hayes,Lauren | Journal Article | Sound, Electronics, and Music: A Radical and Hopeful Experiment in Early Music Education | 2017 | Education/Pedagogy,Live Electronics,Gender,Improvisation, | Link to Resource | Hayes, Lauren. 2017. "Sound, Electronics, And Music: A Radical And Hopeful Experiment In Early Music Education". Computer Music Journal 41 (3): 36-49. doi:10.1162/comj_a_00428. | Live electronics, embodiment, gender, improvisation | United States | English | ||
Pauletto,Sandra | Hunt,Andy | Journal Article | Interactive sonification of complex data | 2009 | Sonification | International Journal of Human-Computer Studies, 67 (11), 923-933 | United Kingdom | English | |||
Chambers,Xana | Essay | A singer/songwriter, composer and student's reflections on the therapeutic, imaginative and creative effects of music and sound | 2017 | Composition | Link to Resource | https://xanaguitar.files.wordpress.com/2017/10/a-singersongwriter-composer-and-student_s-reflections-on-the-therapeutic-imaginative-and-creative-effects-of-music-and-sound.pdf | Australia | English | |||
McRobbie,Angela | Frith,Simon | Essay | Rock and Sexuality | 1978 | Popular Music Studies | Frith, Simon, and Angela McRobbie. Rock and Sexuality. In On Record: Rock, Pop, and the Written Word, edited by Simon Frith and Andrew Goodwin, Reprinted. London: Routledge, 2007. | United Kingdom | English | |||
Bradby,Barbara | Online Journal Article | Do-talk and Don't-talk | 1988 | Feminism | Bradby, Barbara. Do-talk and Don't-talk - The Division of the Subject In Girl-Group Music. In On Record: Rock, Pop, and the Written Word, edited by Simon Frith and Andrew Goodwin, Reprinted. London: Routledge, 2007. | Ireland | English | ||||
Chester,Diana | Online Journal Article | Composition as Exploration | 2017 | Sound,Translation,Modernism,Form-Shifting,Sound Synthesis | Link to Resource | Composition as Exploration A Hybrid Media Composition, that form shifts Gertrude Steinâs 1925 Essay, Composition as Exploration. The Eaves, October 2017. | United States | English | |||
Chester,Diana | Conference Proceedings | The Telematic Learning Environment Experiences and Outcomes Teaching with Network Audio | 2012 | Digital Audio & DSP,Network Audio,Digital Audio,Education/Pedagogy, | Link to Resource | The Telematic Learning Environment: Experiences and Outcomes Teaching via Network Audio IEEE, conference proceedings for International Conference on Audio Language and Image Processing, June 2012. | United Arab Emirates | English | |||
Penton,Misha | Online Journal Article | The Making of Digital Medusa | 2017 | Voice,Experimental Voice,Postopera,Performance Writing,Creative Process | Link to Resource | Question - Essays and Art from the Humanities. (2018). Online. Available at: https://www.questionjournal.com/single-post/2017/12/04/The-Making-of-Digital-Medusa | United States | English | |||
Laforgia,Paola | Howard,Keith | Online Journal Article | Amber Liu, K-Pop Tomboy: Reshaping Femininity in Mainstream K-Pop | 2017 | Gender Studies,K-Pop,Popular Music,Gender,Rap | Link to Resource | LAFORGIA, Paola; HOWARD, Keith. Amber Liu, K-Pop Tomboy: Reshaping Femininity in Mainstream K-Pop. Kritika Kultura, [S.l.], n. 29, p. 214-231, aug. 2017. ISSN 1656-152x. | United Kingdom | English |